Plate Like the Pros
Food presented to your customers should provide balance to the eye and entice the palate—all in a clean and inviting atmosphere.
When it comes to design, chefs have a lot more on their plate than artists who limit themselves to pleasing just the visual sense. Our customers see the plate first—then smell, taste and sense the combination of flavors, textures and aromas we have orchestrated. With all these components contributing to the same end, why should there be so much emphasis on plate presentation? Can the way food is arranged on a plate actually affect the flavor of the food?
Indeed it can, says Bill Phillips, Culinary Institute of America Chef/Instructor. The CIA’s classic French Escoffier Restaurant serves as his classroom, providing students hands-on experience for the required A la Carte Cooking course.
In his class, Phillips emphasizes that, from a psychological point-of-view, presentation clearly affects one’s perception of flavor.
“When presented with a beautifully prepared plate, you are put in a positive state of mind and expect good flavor,” says Phillips. “And when you are looking for good flavor, you’re more apt to find it. Conversely, when you’re presented with a carelessly–prepared or sloppy plate, you’ll be looking for the negative, and most likely will find that instead.”
Quality prep still comes first
The issues of presentation and flavor perception are intertwined. Experts agree that taste still comes first.
Bradley Koehler, Executive Chef of New England Culinary Institute (NECI) Solutions pointedly recalls a dinner where it was obvious the chef probably hadn’t tasted what was being served.
Although the plate was visually pleasing, the combination of duck breast with star fruit and blueberry sauce simply didn’t work. “The flavor was horrendous,” he remembers. Now with NECI for nine years, Koehler teaches a variety of courses that include travel with the school’s Solutions division team to train kitchen staffs at colleges and universities in the onsite market.
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Proper plating adds value to virtually any kind of dish. Professionally-plated meals shown: New England Culinary Institute plates up pasta with beans and dried fruit (top left). Bottom plates (l. to r.): Chicken Romagna Roulade over Sautéed Vegetables from the University of California-San Diego, LaJolla, CA; Summer Melon Chicken Salad, from Ochsner Foundation Hospital, New Orleans, LA; and Chicken Piñon, from Presbyterian Hospital, Albuquerque, NM. |
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Photos from Tyson’s Taste of the Times Project |
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Always start with great ingredients and cook them properly, advises Koehler. “Regardless of how well the food is presented, if your green beans are overcooked and look like army pants, the food isn’t going to taste good.”
On the other hand, Phillips also offers many graphic examples of how proper cooking techniques affect plate presentation. “Searing a steak properly will naturally impart a deep, rich, brown color, and enticing aroma to it. Under-searing, however, results in a piece of meat that is anemic- looking.” No matter how perfectly prepared the side dishes look or taste, a poorly prepared center of the plate item will ruin many customers’ appetites.
Not all onsite situations are the same, Koehler points out. In catering, presentation quality is greatly affected by logistical issues—your ability to get hot plates out while they’re still hot is another important point for chefs to consider.
“A good rule of thumb is that the total time taken to serve the first to last plate should not exceed 15 to 20 minutes,” he says. The number in a party will often dictate how extensive plating hand work can be, with smaller parties allowing for more detailed work.
Plating activities must be coordinated with holding options and times. If they’re not, “skin” can appear on sauce, fat can solidify, shellfish can turn rubbery and piped foods will droop, cautions Koehler.
Additionally, whether serving a catered event or working from the steamtable line, servers need to be informed by the chef before service about how the plate should be presented to customers.
Many experts suggest holding a pre-service meeting where the cooks and servers sample the food and learn where the 6 o’clock position is—the position of the plate that is placed closest to or directly in front of the guest. There’s evidence to suggest that care in such areas makes a difference even on a serving line. For catered events, it’s critical to a great presentation, just as it is in a white tablecloth restaurant.
An artist's inspiration with a guest's point of view
In the plate planning stage, Koehler likes to sketch out his thoughts.
“I like to begin by drawing on a piece of paper what the dish is will look like. I then put the raw product on a plate and play around with it.
“Prior to actual service, I prepare one plate with the cooked ingredients and set it up on the ‘Detroit assembly line’ as an example for the other chefs to see. I then serve as coach and quality control at the end of the line, putting on the garnish, wiping plates and expediting.”
Once he has decided what is going to go on the plate, Frank Ruffino, an executive chef at Sodexho Marriott Services, also likes to sketch out his plate presentations to serve as a guide. He feels strongly that involving staff and brainstorming with them for creative presentation ideas, is important at this stage.
By soliciting servers’ input, “they know they helped design the plate, they’ve already bought into the idea and the feeling of ownership makes it easier for them to follow through,” says Ruffino. As a visual reminder, several plates are prepared and set out along the line as examples to remind staff of the agreed–upon assembly.
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© 2012 Penton Media Inc.
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